Just One Number

Many memories,
difficult to pick,
will still be written.
Three best friends
A souvenir photo
To take such a picture
in blue, not only in an
elegant style.

Two weeks later,
we cried, laughing
at the same time.
Picture is symbol.

You will still laugh.

I never forget
that one day
living.

———-

Sometimes, a poem unintentionally emerges through preparing for the writing portion of the TOPIK Exam.

The Memory of Silver

The memory of silver is long.  It
remembers fat, leathery hands
casting ingots at dawn.  And the
screaming crucible that served life
plucked from death.

Sterling arcs of recollection whisper
in morning’s meekness, dangling from
emerald shadows, hanging on for a
cue, regarding us warily with one eye
open and one eye closed.

The memory of silver is long.  It
remembers both she who bestowed
and she who received on that distant
Christmas afternoon, before bread
was broken under jaundiced
light.

Violet glass despondently rolls off a
negligent palm, falling upon moist
linoleum, making no sound in daybreak’s
din…shaking off all visions of times
gone by on the way down.

In the Swale

A conspiratorial, oily thumb and
forefinger crush yellowed, coarse
paper–page four hundred thirty
seven–fluttering in anticipation,
perceiving imminent movement
within its constricted fibers.  Protein
gives tastes differently enough,
collapsing into sapped midnight
mouths, red long gone.

And so it was deciphered as that
hovering and absolute monarch,
harnessed in a gauzy gray doublet,
leered down at us…we, who only
shine half as brightly.

PRAYER IN THE DARK

In the time of the butterflies,
before lush grapes turned sour,
aged trees shook in unison,
fearful of what might pass.

Elders with low, ferocious
voices murmured, then shouted
until they howled under a
caliginous canopy, woven from
smoke and anise seed, rising in
anger only to fall upon a traitorous
ground.  Needle noses prepare to
pierce trembling flesh that may
still be perspiring in dimples of
wounded earth.

Bare is this weeping land, divested
of its plentitude, beneath our
incompetent hands–hoping and
praying that those pale peach, hazelnut
wraiths will find their way home.

For She, Who Sleeps

Imagine yourself a pear tree,
with passionate palms upturned
to receive bashful young fruits
as they plummet from your own aching
branches.

A light drizzle of sweetness
turns into an unforgivable lashing
and your overburdened wrists
snap under the weight of the
deluge.

Broken bones beneath sugared skin.
Faith, scattered around the orchard,
never to be pieced back together.
And then, a pompous sky, naked
in its knowledge, laughs before it
cries.  Moistened mud slides
over bulging thighs, making a mark,
biding its time, giving everything
to all that we are.

El Retrato

hooded by ashen bristles,
thin, cracked lips
press together
in distant resignation

stained with sour
blood and spoiled
claret, they must
not wander  from the
window’s withering
light

for strokes of sunshine
intermittently invade
semi-hollow orbits
as they frantically
seek a footpath within
the dying day

silver agreements
become more precious
with every passing tick

::now I lay me down::

at the cinema, it sounds like
a whip striking taut
leather

flying through the air
regally with pompous
grandiosity

exquisite and clean

the workmanship of a master

in this house, it sounds like
a ferocious closed fist
belting brittle bone

flying through the air
rashly with thoughtless
execution

horrifying and coarse

the workmanship of a savage