In this maddening tangerine sea,
we are sheltered under
olive fruits of unity in a time
when the hungry ghost shining above
swallows the earth in Bendis’ name.
Sons on horses hoist hot torches
beneath undying skies, bearing loving
light that shall carry us home
as wool spinners weave the looming
dawn from fermented flesh.
Tag Archives: creative writing
Cinquain/XXX
pages
new, to peruse
revise eyes in stages;
by half past midnight I diffuse
and snooze
Five For My Eye: II
Smoke swings in the air,
drowning us in oyster fumes.
I’ll never scrub it out of my skin.
I sit here waiting, having
arrived ten minutes ago.
I was hot then but now
I am turning tepid.
You sit there and feebly flirt;
bumping me with your elbow
as if I’m not even here.
Why did I bother?
He’s not really interested in you, you know.
He comes here; he passes time with you, but
do you honestly think he will take you home?
Or pen you into his biographical tome?
Why do you bother?
Stop blowing smoke in my face!
Wake up!
Don’t you see that he is looking past
you into the mirror to ensure that his
hair is still perfectly quaffed?
A suspicious wife is a willful wife.
I’ve tried to shine truth upon you.
If I could walk out right now, I would.
You must leave first.
This night grows weary of your laughter.
I grow weary of this night.
————–
This is the second in a series of five poems inspired by the photography of Constantine Brassaï.
그림자/Shadows
어두운 그림자는 나타나다
창문밖에 앉아 있는 올빼미가 저보다 훨씬 슬기로운 것 같다
어둠 속을 보는 올빼미가 두렵지 않다
Dark shadows arise.
The owl that is perched outside of the window seems far wiser than I.
He looks into the obscurity and is not afraid.
Cinquain/XXVIII
again
sweet summer ends
in humid torment, then
gnawing, natty fraught autumn bends
and wends
The End
Fat cherries in my mouth
Fresh bruises bandaged in white
The sweetest sunset fading away
The sound of regret
The sound of your hand against my cheek
The sound of you loving me at daybreak
Salty blood
And apple flan
How it tastes like cough syrup
This ill spent scarlet afternoon in Illizi
stole my salvation.
Four Shades
My burdened arms row under a smothering sky.
Father stands in the middle of our shikara
observing the current with a mournful aspect.
He shall soon pay old debts with fresh blood.
Tomorrow, my sister will be yoked to a man
whose face is as unknown to her as the ocean floor.
She is eclipsed under a white hijab yet silent
tears have made her pashmina damp with
anguish for the woman that she will become.
The dolls that she supped with yesterday are
already relics of more innocent times.
Our little sun with coffee colored
eyes has a face like a sacred lotus.
I am glad that I cannot see it now, for such
sweetness marred by suffering is a sorrowful vision.
Mother sits next to father, draped in black
in preparation for the requiem.
Her tears roll inward, down to her heart,
but she makes no sound.
An ancient troller in a smaller shikara briefly
locks eyes with me before he docks for his
midday meal; he watches our somber collective
with curiosity and then turns his attention back
to the shore, convinced that the four shades
behind him were only a mirage.
————————–
Inspired by the work of Abbas from the Magnum Photo Cooperative
The Promise of an Empty Bowl
When I visit a cookware store, I am usually drawn to the large deep serving bowls. I am writing of the voluminous ones that could easily hold three pounds of cookie dough or enough pasta to feed the entire Chinese army. I am especially fond of bowls with a Provençal flair that are hand painted with colorful and intricate designs. If I really like a bowl, I will sometimes run an index finger around the outer rim of the vessel while thinking of the promise of its emptiness.
Doesn’t emptiness imply a lack of something? Isn’t emptiness just the same thing as nothingness? On the contrary, while nothingness is a permanent state, emptiness is merely temporary.
I believe that delicious possibilities can emerge through emptiness. When a serving bowl is empty after a satisfying repast, I don’t think about the fact that the meal has ended. Instead, I try to envision how and with what I am going to refill the bowl. I am confident that it can be refilled, yet I acknowledge that it may not always be easy for me to put dinner on the table. I may have to travel far and wide to find a unique ingredient and at other times I may have to stay at home all day to tend the stew. Either way, it will be my hard work that fills that bowl because it certainly will not fill itself. Sometimes I’ve been fortunate enough to have allies who have helped me stir the pot, but there have been many times when I’ve been the sole person in the kitchen.
I frequently share the fruits of my culinary endeavors with others; I find that the echoes of laughter and human fellowship ringing off of a spacious bowl can fill it with something of far greater value than the more tangible sustenance sitting inside of it. It is in these moments of nectarous conviviality over a warm meal that I have deeply understood the promise that lies within a large empty bowl which sits on a store shelf, waiting for someone to give it a home.

Image credit: http://italian-ceramics-art.com/
A Thousand Bars
Four feet shuffle on and shuffle off,
laying a last charge upon the ledger.
Dragging on despondent devotion,
they cling to each other as startled eyes
look on beneath bright cafeteria lights at
damp faces and that charming cherry skirt.
Under her unreal parting bars he is
weary in a world, that for him,
cannot exist.

—————————-
I will always remember Robin Williams for his dramatic roles, because I think that is where he truly shined, despite that he was known for being a funny man. Yesterday evening I watched Awakenings, which is one of my favorite movies. The scene where Leonard says goodbye to Paula in the cafeteria has always touched me.
Cinquain/XXVII
guffaws
depart our lips
as we serve up applause;
we tenderly remember scripts
and clips
———————-
I am posting an odd numbered cinquain for a change of pace. Rest in peace Robin Williams.